I’m digging this. I censored one bubble due to racism and added nonsense. I enjoyed creating this weird little turn of events and I want to keep it, even if I have to disrupt the pacing a little. The effects on the door and the call back to the desert behind the couch set both make me really happy.
Also I guess I predicted twitter. If I were to revive Flatliner there’d have to be 280 characters these days. Good on me for calling out the characters. Often using a real world conversation as a jumping off point, including the people who were there at the time made sense, though it really stomps character development into the ground. The person who was there usually was happy to see themselves, though.
I really missed an opportunity in the third comic to change the poster in every panel. That’s a real shame. But like Harvest used to say with alarming frequency- Shame and success are just two ways of looking at the same thing.
